Judith Jamison, a dancer both eloquent and elegant, led Ailey troupe to success over two decades
NEW YORK — There are few images more indelible in the history of American dance: Judith Jamison, regal and passionate in white leotard and long ruffled skirt, punching the air in “Cry” — Alvin Ailey’s piercing solo about Black womanhood. That searing 1971 piece made her an international star. But it was truly only the…